Most of my published writing extends from the question (How) can we think without language? , which I’ve approached from various angles since my MA theses, with evolving answers along the way.

Forthcoming. “Habitually Breaking Habits: Agency, Awareness, and Decision-making in Musical Improvisation,” Phenomenology and the Cognitive Sciences.

2024. “The Participant Belongs to the Play: The Ethical Dimensions of Improvised Music.” In Gadamer, Music, and Philosophical Hermeneutics, edited by Sam McAuliffe, pp. 31–50. Cham, CH: Springer.

2020. “An Excess of Meaning: Conceptual Over-Interpretation in Confabulation and Schizophrenia,” Topoi Vol. 39, No. 1.

2019. “Bridging the Abyss: Re-interpreting Heidegger’s animals as a basis for inter-species understanding,” in N. Batra & M. Wenning (eds.) The Human-Animal Boundary, Lanham, MD: Lexington/Rowman & Littlefield.

2017. “Being-in-the-flow: expert coping as beyond both thought and automaticity,” Phenomenology and the Cognitive Sciences, Vol. 16, No. 3

2017. “To Know and To Be: Second-Person Knowledge and the Intersubjective Self, A Reply to Talbot,” Social Epistemology Review and Reply Collective, Vol. 6, No. 10.

2016. In the Beginning was the Word: Concepts, Perception, and Human Being, PhD thesis, Durham University.

2011. Creatures of Habit: Towards a Naturalistic Theory of Concepts, MA thesis, University of Queensland.

2011. Bridging the Abyss: Human and animal being in the early Heidegger, MA thesis, University of Queensland.

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